第 15 节

these lines belong to the Chorus would be evident enough, even if we had no assistance here from the later 4tos.--The parts of Wagner and of the Chorus were most probably played by the same actor: and hence the error.]

[Footnote 112: Learned Faustus, To know the secrets of astronomy, &c.-- See the 21st chapter of THE HISTORY OF DR. FAUSTUS,--"How Doctor Faustus was carried through the ayre up to the heavens, to see the whole world, and how the sky and planets ruled," &c.]

[Footnote 113: Enter FAUSTUS and MEPHISTOPHILIS-- Scene, the Pope's privy-chamber.]

[Footnote 114: Trier-- i.e. Treves or Triers.]

[Footnote 115: From Paris next, &c.-- This description is from THE HISTORY OF DR. FAUSTUS; "He came from Paris to Mentz, where the river of Maine falls into the Rhine: notwithstanding he tarried not long there, but went into Campania, in the kingdome of Neapol, in which he saw an innumerable sort of cloysters, nunries, and churches, and great houses of stone, the streets faire and large, and straight forth from one end of the towne to the other as a line; and all the pavement of the city was of bricke, and the more it rained into the towne, the fairer the streets were: there saw he the tombe of Virgill, and the highway that he cu[t] through the mighty hill of stone in one night, the whole length of an English mile," &c. Sig. E 2, ed. 1648.]

[Footnote 116: The way he cut, &c.-- During the middle ages Virgil was regarded as a great magician, and much was written concerning his exploits in that capacity. The LYFE OF VIRGILIUS, however, (see Thoms's EARLY PROSE ROMANCES, vol. ii.,) makes no mention of the feat in question. But Petrarch speaks of it as follows. "Non longe a Puteolis Falernus collis attollitur, famoso palmite nobilis. Inter Falernum et mare mons est saxeus, hominum manibus confossus, quod vulgus insulsum a Virgilio magicis cantaminibus factum putant: ita clarorum fama hominum, non veris contenta laudibus, saepe etiam fabulis viam facit. De quo cum me olim Robertus regno clarus, sed praeclarus ingenio ac literis, quid sentirem, multis astantibus, percunctatus esset, humanitate fretus regia, qua non reges modo sed homines vicit, jocans nusquam me legisse magicarium fuisse Virgilium respondi: quod ille severissimae nutu frontis approbans, non illic magici sed ferri vestigia confessus est. Sunt autem fauces excavati montis angustae sed longissimae atque atrae: tenebrosa inter horrifica semper nox: publicum iter in medio, mirum et religioni proximum, belli quoque immolatum temporibus, sic vero populi vox est, et nullis unquam latrociniis attentatum, patet: Criptam Neapolitanam dicunt, cujus et in epistolis ad Lucilium Seneca mentionem fecit. Sub finem fusci tramitis, ubi primo videri coelum incipit, in aggere edito, ipsius Virgilii busta visuntur, pervetusti operis, unde haec forsan ab illo perforati montis fluxit opinio." ITINERARIUM SYRIACUM,--OPP. p. 560, ed. Bas.]

[Footnote 117: From thence to Venice, Padua, and the rest, In one of which a sumptuous temple stands, &c.-- So the later 4tos.--2to 1604 "In MIDST of which," &c.--THE HISTORY OF DR. FAUSTUS shews WHAT "sumptuous temple" is meant: "From thence he came to Venice....He wondred not a little at the fairenesse of S. Marks Place, and the sumptuous church standing thereon, called S. Marke, how all the pavement was set with coloured stones, and all the rood or loft of the church double gilded over." Sig. E 2, ed. 1648.]

[Footnote 118: Just through the midst, &c.-- This and the next line are not in 4to 1604. I have inserted them from the later 4tos, as being absolutely necessary for the sense.]

[Footnote 119: Ponte-- All the 4tos "Ponto."]

[Footnote 120: of-- So the later 4tos.--Not in 4to 1604.]

[Footnote 121: Then charm me, that I, &c.-- A corrupted passage.--Compare THE HISTORY OF DR. FAUSTUS, Sig. E 3, ed. 1648; where, however, the Cardinal, whom the Pope entertains, is called the Cardinal of PAVIA.]

[Footnote 122: Sonnet-- Variously written, SENNET, SIGNET, SIGNATE, &c.--A particular set of notes on the trumpet, or cornet, different from a flourish. See Nares's GLOSS. in V. SENNET.]

[Footnote 123: Enter ROBIN, &c.-- Scene, near an inn.]

[Footnote 124: ippocras-- Or HIPPOCRAS,--a medicated drink composed of wine (usually red) with spices and sugar. It is generally supposed to have been so called from HIPPOCRATES (contracted by our earliest writers to HIPPOCRAS); perhaps because it was strained,--the woollen bag used by apothecaries to strain syrups and decoctions for clarification being termed HIPPOCRATES' SLEEVE.]

[Footnote 125: tabern-- i.e. tavern.]

[Footnote 126: [Exeunt. Enter ROBIN and RALPH, &c.-- A scene is evidently wanting after the Exeunt of Robin and Ralph.]

[Footnote 127: purchase-- i.e. booty--gain, acquisition.]

[Footnote 128: Drawer-- There is an inconsistency here: the Vintner cannot properly be addressed as "Drawer." The later 4tos are also inconsistent in the corresponding passage: Dick says, "THE VINTNER'S BOY follows us at the hard heels," and immediately the "VINTNER" enters.]

[Footnote 129: tone-- i.e. the one.]

[Footnote 130: MEPHIST-- Monarch of hell, &c.-- Old ed. thus:--]

"MEPHIST. Vanish vilaines, th' one like an Ape, an other like a Beare, the third an Asse, for doing this enterprise.

Monarch of hell, vnder whose blacke suruey," &c.

What follows, shews that the words which I have omitted ought to have no place in the text; nor is there any thing equivalent to them in the corresponding passage of the play as given in the later 4tos.]

[Footnote 131: Enter EMPEROR, &c.-- Scene--An apartment in the Emperor's Palace. According to THE HISTORY OF DR. FAUSTUS, the Emperor "was personally, with the rest of the nobles and gentlemen, at the towne of Inzbrack, where he kept his court." Sig. G, ed. 1648.]

[Footnote 132: Master Doctor Faustus, &c-- The greater part of this scene is closely borrowed from the history just cited: e.g. "Faustus, I have heard much of thee, that thou art excellent in the black art, and none like thee in mine empire; for men say that thou hast a familiar spirit with thee, and that thou canst doe what thou list; it is therefore (said the Emperor) my request of thee, that thou let me see a proofe of thy experience: and I vow unto thee, by the honour of my emperiall crowne, none evill shall happen unto thee for so doing," &c. Ibid.]

[Footnote 133: won-- May be right: but qy. "done"?]

[Footnote 134: As we that do succeed, &c.-- A corrupted passage (not found in the later 4tos).]

[Footnote 135: The bright, &c.-- See note ||, p. 18.]

[Note ||, from page 18 (The First Part of Tamburlaine The Great):

Barbarous-- Qy. "O Barbarous"? in the next line but one, "O treacherous"? and in the last line of the speech, "O bloody"? But we occasionally find in our early dramatists lines which are defective in the first syllable; and in some of these instances at